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Information:
Born in Harbor City, California in 1961, Anne Grgich began making spontaneous art at the age of fifteen, mostly by clandestinely painting in her family’s books, or making junk constructions. She first introduced collage into her work around 1988, but took it to a higher level in 1997 during a period of illness. During her convalescence she worked in bed, making paintings on file cards and CD’s and organising collages from material she had collected. When she had recovered, later that year she began to produce collage paintings — images of people encountered over time in the street and in mind journeys that manifest themselves and recombine, according to her mood, in the process of creation. Recently, she has described her faces and people as ‘manifestations of conglomerated persona, in a way acting out these characters’. In a way they are a displacement for action in the world out there; fragments of experience, thought and interaction brought together to produce new possibilities out of contemplation. As she puts it, ‘bundling images, separating them’, then looking for ‘interrelating pieces to build meaning and feeling’. Seen separately these faces are individually commanding, but seen together, they form not so much a series of portraits as a group of living presences.
— Colin Rhodes
Colin Rhodes is Professor of Art History and Theory
and Director of the School of Art & Design
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